The Tempest (Folger Shakespeare Library) 
Freshly edited text based on the best early printed version of the play
Full explanatory notes conveniently placed on pages facing the text of the play
Scene-by-scene plot summaries
A key to famous lines and phrases
An introduction to reading Shakespeare's language
An essay by an outstanding scholar providing a modern perspective on the play
Illustrations from the Folger Shakespeare Library's vast holdings of rare books
Essay by Barbara A. Mowat
The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.
Reviews
It tells the story of Prospero, the exiled duke of Milan, and his beautiful daughter, Miranda, who have been stranded for twelve years on a desert island with two servants, the airy sprite Ariel (who Prospero rescued from being imprisonment in a tree) and the savage Caliban. Upon learning that his usurping brother Antonio is sailing near the island with the Neopolitan King Alonso's party, he uses his magic powers to conjure a sea storm that not only leaves the ship and its passengers wrecked on the island, but which also sparks a courtship between his daughter and the king's son, Ferdinand. The survivors of the wreck are separated into several groups, believing one another dead. Three subplots then alternate through the play. In one, Caliban befriends two drunken crew members, whom he believes to have come from the moon, and drunkenly attempts to raise is own rebellion against Prospero. In another, Prospero works to establish the romantic relationship between Ferdinand and Miranda. In the third subplot, Ariel thwarts a murder plot at Prospero's command.
The shipwrecked passengers are eventually reunited by island spirits to discover the marriage of Miranda and Ferdinand. In the end, as its title suggests, THE TEMPEST is as much about the opening scene's violent storm, as the journey that brought Prospero to the island and the psychological storm--"the sea change"--leading him to quit his magic and his remote island to return to Milan.
G. Merritt
The language was great as usual with all of Shakespeare's great works. Prospero's last lines said also became Shakespeare's last words in terms of writing was concerned. There were plenty of comedy scenes in the play involving the mean spirited native Caliban, who was a servant of Prospero and attempted to rape his daughter, Miranda and later tried to kill him. As the plot went, all became comedies as Prospero saw through everything, the good and the evil, the well planned and the silly.
As many of his contemporaries during the time. Shakespeare despised the natives and saw them as savages. This became clear with Caliban. I found Shakespeare's depictions of him relentless and cruel, almost as if he was describing a pig.
But, overall, the story was very interesting. If you like Shakespeare, then you are sure to like this.
"O, wonder!
How many goodly creatures are there here!
How beauteous mankind is! O brave new world
That has such people in't! (V.i.181-4)
But to arrive at its reconciliations it must show first the disturbances of lust, and wrongminded ambition for kingship. There is much in play about the metaphor of playing itself. "The world is a stage" make its acts of reconciliation a kind of magical act.
A world of wonder is the dream of the king of all playwrights, close to his closing the factory down. The play was written in 1611 and is one of Shakespeare's last, and most memorable.
