The Cut of Women's Clothes 
asked by crick on November 10, 2006 5:59 PM
Each period in the history of costume has produced its own characteristic line and silhouette, derived from a cut and construction which varies considerably from age to age. Here are patterns taken from actual dresses, many of them rare museum specimens, illustrated by sketches of the dresses. There are notes on the production of women's dress, with references to early technical books and journals, together with diagrams from some of them. Numerous illustrations show the dresses as worn complete with their hairstyles, jewelry, decorations and accessories.
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I'am French, and even without the English texts the patterns are easily comprehensible when we know a little the seam
reviewed by reader99 on November 22, 2006 3:51 AM
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From a broad perspective this book is helpful in delineating the various periods of costume. The patterns are useful, but not plentiful.
However, the book has several shortcomings. Firstly it is printed on very cheap paper (this is a reprint version) and the black and white pictures/prints of paintings are very murky and badly reproduced on even thinner cheaper paper than the text.
The content of the book is fine for beginners but clearly the book has not been updated to reflect recent study on costume. The writing style is in the form of an endless stream of tit-bit information patched together making this book a boring read. Furthermore, the book is padded out with period quotations about costume, mainly in the form of inventory lists of costume. This adds little to the understanding of costume and the book should have been more tightly edited. Finally there are just not enough patterns in this book to make it a "must have" title - the patterns are not drawn on a grid so inaccuracies are inevitable. Anyone looking to find a variety of patterns for the period 1600 to about 1850 are going to be disappointed, but admittedly the period 1850 to 1930 is better covered by the book in terms of pattern variety. I will probably donate this book to my local library as it is not a keeper for me. Readers wanting up to date costume information are better served by acquiring texts from the various costume institutes in England.
However, the book has several shortcomings. Firstly it is printed on very cheap paper (this is a reprint version) and the black and white pictures/prints of paintings are very murky and badly reproduced on even thinner cheaper paper than the text.
The content of the book is fine for beginners but clearly the book has not been updated to reflect recent study on costume. The writing style is in the form of an endless stream of tit-bit information patched together making this book a boring read. Furthermore, the book is padded out with period quotations about costume, mainly in the form of inventory lists of costume. This adds little to the understanding of costume and the book should have been more tightly edited. Finally there are just not enough patterns in this book to make it a "must have" title - the patterns are not drawn on a grid so inaccuracies are inevitable. Anyone looking to find a variety of patterns for the period 1600 to about 1850 are going to be disappointed, but admittedly the period 1850 to 1930 is better covered by the book in terms of pattern variety. I will probably donate this book to my local library as it is not a keeper for me. Readers wanting up to date costume information are better served by acquiring texts from the various costume institutes in England.
reviewed by daddyadd on November 24, 2006 10:03 PM