The Curious Sofa: A Pornographic Work by Ogdred Weary this question feed

asked by perfectjen on November 3, 2006 11:19 AM
As the New York Times writes of Edward Gorey, "His satires (often of tawdry Victorian mysteries) are not mere commentaries on the manners and mores of a distant age; they are inventive narratives about evil adults, mischievous children, illicit lovers and improbable beasts." Or, in the case of The Curious Sofa, improbable furniture. As Gorey tells us on the cover, this is "a pornographic work" (pornographic horror, in fact) with a picture on every page. And yet there's nary a nipple (nor a drop of blood) in sight. (For those who want some extras to pass around there's a 10-copy assortment with The Gashlycrumb Tinies.)


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THE CURIOUS SOFA: A Pornographic Work by Ogdred Weary is one of Edward Gorey's works in which the story is told through delightful pen-and-ink drawings with witty captions. A 1961 send-up of Victorian pornography, the book's thirty pages tell the adventures of Alice, a young woman swept into a long series of sexual adventures. THE CURIOUS SOFA's cleverness lies in that on one hand it reveals nothing obscene--one would hardly have to fear if a young child came upon the book. A good example caption is: "Downstairs the three of them played a most amusing game of Herbert's own invention called 'Thumbfumble.' They then sat down to a sumptuous tea", which is accompanied by an entirely innocuous drawing. Yet, for the adult the book is ultimately the most filthiest thing this reader has ever encountered outside of some Cocteau Twins lyrics.

The artwork of THE CURIOUS SOFA is rather spartan: generally just characters and furniture against a white background. It resembles more his first work THE UNSTRUNG HARP than the later works of the 1960s that became typical for him: Edwardian figures with beards and lots of fur coats.

This is an entertaining work, and Gorey does masterfully show that, paradoxically, sometimes horrors and obscenities can be maximally revealed through being concealed. However, I would not recommend it to the Gorey neophyte, as it is not the best example of his work. Instead, try THE LOATHSOME COUPLE or THE BLUE ASPIC. THE OTHER STATUE is also good. Those are all books from his most fruitful style of the late 1960s and highly recommended reading. Save this one for if you've come to enjoy Gorey.
reviewed by iread on November 28, 2006 9:29 PM

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In a typically odd work by Edward Gorey, the protagonist, Alice, gets her eyes opened to many new experiences by companions of various sorts (including Colonel Gilbert and his wife Louise, both of whom have wooden legs, and Donald, a sheepdog). All these new activities are strangely suggestive, but not what most people would actually call pornographic; after all, the book is only illustrated with Gorey's discreet little drawings.

The sofa itself is contained in a room lined in polar bear fur, is upholstered in scarlet velvet, and has nine legs and seven arms; when the machinery starts within it Alice shudders and the book concludes in a delightfully ambiguous manner, in what may well be one of the strangest endings of any of Gorey's books.

I like Gorey, and this is a good little book, but is not actually one of my favorites, as I think there are others more whimsical, and a few are even stranger. For Gorey lovers this is a great little book, but understand that it is quite small, which makes it a questionable value, particularly in light of the excellent compilations available.
reviewed by ivan on November 29, 2006 9:09 AM

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Though definitely not for everyone, this is probably the creepiest little thing I've read in a LONG time, this being accomplished entirely by subtle insinuation and suggestion than anything concrete.

Pornographic work? Not exactly, if you are expecting the sort of thing all those spam e-mails promise. This is surrealism, enigmatic and dreamlike... the graphic imagery is limited to bizarrely posed and leering maybe-unclothed/maybe-not cartoon figures tastefully obscured behind monstrously large ornamental urns, twisted naked tree limbs, and imposing bamboo screens, with such captions as "That evening in the library Scylla, one of the guests who had certain anatomical peculiarities, demonstrated the 'Lithuanian Typewriter', assisted by Ronald and Rupert, two remarkably well-set-up young men from the village." Over and again through the "story" my reaction was "What the heck is THAT supposed to mean???" while taken together they imply something hideously and repugnantly barbaric and freakishly obscene, with the only possible conclusions (when they can be made at all) not matching the reactions of the characters, until the shocking conclusion where at last the characters react appropriately to an eerie situation that makes absolutely no sense whatsoever... making the entire experience that much more disconcerting.

This is the beauty of Edward Gory's surrealism. Though, as I said earlier, it is not for everyone- the horror is too enigmatic and the humor a bit too strange for the taste of most people I know... as one negative review said: "Make sure you want to buy this sort of book... it is not what I was expecting." (What was she expecting? She never said... the statement would make a lovely caption for a Gory cartoon, though, unrelated to the panels directly preceding and following it: [A woman in a fur coat and a pair of sinister tennis shoes marking a calendar, while a strange and ambiguous animal watches:] "I would fancy a cup of tea, but only on alternating Tuesdays."/ [The ambiguous animal stands in a bookstore, frowning doubtfully as a distraught young woman points fearfully at a nondescript and dusty book on the bottom shelf of an antique bookcase, telling the woman in tennis shoes:] "Make sure you want to buy this sort of book... it is not what I was expecting."/ [The distraught-looking woman asks the woman in sneakers while looking out the shop window:] "Is it my imagination, or has that building moved since last I saw it?" [The doubtful animal replies:] "NO.")

And I think I should also mention that Gory's little cartoons are probably not a good idea for children. Although, I believe that at 9, 10, or 11 I would have been fascinated by the intricately detailed and strange little creepy drawings and their bizarre captions and though any vaguely "adult" elements would have gone way over my head, the cartoons would nonetheless have sparked my imagination... seeing them again as an adult would have been that much more chilling.

And, in closing, yes, this book is tiny, and very short. I'd suggest first of all trying out "Amphigory"- a collection of Gory's weird cartoons which includes "The Curious Sofa: A Pornographic Work by Ogdred Weary", and if you especially like that story to get the little book, or to buy it as a gift for friends with a twisted sense of humor. In fact I would recommend that anyone suspecting they might have a taste for surrealism, dream-like and brutal satire of stiff and stuffy Edwardian and Victorian mannerisms art and customs, subtle gothic horror and twisted humor get hold of as many of the Amphigory books as they can.

reviewed by reader99 on November 29, 2006 2:25 PM

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Hardly pornographic at all, this small and simple book is filled with insinuations of events that could quite possibly be indecent or tawdry, but remain veiled, allowing the reader to reach their own conclusions.

While The Curious Sofa is amusing in its naive and capricious way, it is not a "bust out laughing" piece of entertainment, and made me smile but not laugh. I'm not entirely sure that is worth the $9.00 price. It would be more recommendable if it was half the price and marketed more as a novelty or gift item.

When looking at purchasing this item, take note of the small size of the book and the number of pages. The book is little enough to be a stocking stuffer at Christmas time, and the page count says 64, but it is actually only 32, because the printing is one-sided, so there is only one picture per page turn, opposite pages are all blank.

The drawings, while indeed whimsical, were not particularly special, and the only one who could possibly label anything in this book "pornographic" would be Mother Goose. We never do get to see this Curious Sofa either, and I found that to be the difference between feeling titillated with the unseen, and feeling cheated out of something that could have been special.

Overall, it would be a nice gift item if the price were lower, but at $9.00 for 32 pages with no real conclusion to the tale, leave it on the shelf.

reviewed by artdealer on November 29, 2006 6:54 PM

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That's about all I can say. I was expecting a bit more than this. it's very small and very thin and implies more than it says. It's sort of mocking. The sofa isn't curious in the sense that it want s to know things, it's curious in the sense that there's something different about it.

Definitely rated whatever you would rate your own mind, since most of the dirty stuff IS all in the implications and has little to do with the words or images. Little kids would read it and just not get it, but adults might see it a bit different.

Not for kids.

reviewed by carrots on November 29, 2006 7:01 PM

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