Sondheim's Broadway Musicals (The Michigan American Music Series) 
asked by reader99 on November 29, 2006 7:54 AM
With thirteen Broadway musicals to his credit, Stephen Sondheim's career in the musical theater has outdistanced those of most of his contemporaries. Each of his shows has presented new challenges to audiences, and each has cast fresh perspectives on the nature and potential of the American musical, as well as probing deeply, often painfully, into the nature of our culture.
Sondheim's Broadway Musicals is the first book to take an in-depth look at Sondheim's work. Stephen Banfield examines each of Sondheim's musicals for Broadway, from West Side Story and Gypsy to the 1987 musical Into the Woods, and includes A Funny Thing Happened on the Way to the Forum, Company, Follies, Anyone Can Whistle, A Little Night Music, Pacific Overtures, Merrily We Roll Along, Sweeney Todd, and Sunday in the Park with George. Banfield also discusses Sondheim's other work, such as the 1991 show Assassins and his music for the 1990 film Dick Tracy--for which "Sooner or Later" won him an Academy Award for Best Song.
"Banfield seems almost to hear Sondheim's music with Sondheim's ears. This extremely valuable work discusses Sondheim's early training and subsequent career, his general compositional concerns, and his style. The meat of the book is a musical-dramatic analysis of his musicals . . . . For each musical, Banfield places the work and its components in a historical and typological text. He also treats in welcome detail the musical profile or universe of each show: Sondheim's use of generative intervals or interval complexes as source material, motifs that reappear in various guises in various songs, the sound world that defines the musical's emotional mind. The book will be as useful to those who are cool to Sondheim's work as to his fans." --Choice
Sondheim's Broadway Musicals is the first book to take an in-depth look at Sondheim's work. Stephen Banfield examines each of Sondheim's musicals for Broadway, from West Side Story and Gypsy to the 1987 musical Into the Woods, and includes A Funny Thing Happened on the Way to the Forum, Company, Follies, Anyone Can Whistle, A Little Night Music, Pacific Overtures, Merrily We Roll Along, Sweeney Todd, and Sunday in the Park with George. Banfield also discusses Sondheim's other work, such as the 1991 show Assassins and his music for the 1990 film Dick Tracy--for which "Sooner or Later" won him an Academy Award for Best Song.
"Banfield seems almost to hear Sondheim's music with Sondheim's ears. This extremely valuable work discusses Sondheim's early training and subsequent career, his general compositional concerns, and his style. The meat of the book is a musical-dramatic analysis of his musicals . . . . For each musical, Banfield places the work and its components in a historical and typological text. He also treats in welcome detail the musical profile or universe of each show: Sondheim's use of generative intervals or interval complexes as source material, motifs that reappear in various guises in various songs, the sound world that defines the musical's emotional mind. The book will be as useful to those who are cool to Sondheim's work as to his fans." --Choice
Reviews
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This is not a book for the casual Sondheim fan. Be warned, unless you have a fair degree of musical sophistication -- and this involves music theory and musicology -- this is not the book for you. But for those who do understand such arcane things as harmonic (including Schenkerian) analysis, or how a typical Broadway tune is constructed, or, to use Banfield's favorite term, the diegetic uses of music, this 1993 book is a gold mine. The emphasis throughout is on the music, not on dramatic construction or the lyrics themselves; they are noted but not dwelt on.
Banfield gives us some historical and biographical background, with a fair discussion of Sondheim's pre-Broadway career (including some tidbits about the collaboration with Bernstein on 'West Side Story'), an overview of the compositional process, detailed exegesis of each of Sondheim's works from 'A Funny Thing Happened on the Way to the Forum' through 'Into the Woods.' There are many scholarly references and a voluminous bibliography as well as a slightly light-weight index. One is disappointed that the book stops in the early 1990s. Perhaps Banfield will update it one day.
This is definitely a book for serious students of Sondheim's work. It is a densely written text that definitely repays close study.
Scott Morrison
Banfield gives us some historical and biographical background, with a fair discussion of Sondheim's pre-Broadway career (including some tidbits about the collaboration with Bernstein on 'West Side Story'), an overview of the compositional process, detailed exegesis of each of Sondheim's works from 'A Funny Thing Happened on the Way to the Forum' through 'Into the Woods.' There are many scholarly references and a voluminous bibliography as well as a slightly light-weight index. One is disappointed that the book stops in the early 1990s. Perhaps Banfield will update it one day.
This is definitely a book for serious students of Sondheim's work. It is a densely written text that definitely repays close study.
Scott Morrison
reviewed by jan1975 on November 29, 2006 10:18 AM
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Despite the wealth of information which is hidden in this book, the professorial writing style makes it very difficult to unearth. The average sentence runs on for 7 full-length lines, and is annoyingly interrupted by literary name-dropping (Sondheim 1980) disguised as references and countless "the former" and "the latter"s. Many opinions are arrogantly offered with no clear examples, which is sadly typical of the "professor" mentality. I'm ashamed that my own college music lit professor is the editor of the series, and didn't ask the author to rewrite the book in a style meant to communicate rather than pontificate.
reviewed by guitarplayer on November 29, 2006 1:37 PM
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As a Sondheim afficionado and serious music student, I adored this book and the insights it gave into the techincal aspects of Sondheim's compositions. As Banfield says in the introduction, too often the music isn't given the serious consideration compositionally that it deserves. Just a warning though, the book is really just about the music, there is fairly little discussion of the dramatic or theatrical aspects of Sondheim's work. That being said, this is an amazingly intelligent, in depth, and scholarly treatment of Sondheim purely as a composer.
reviewed by jan1975 on November 29, 2006 3:12 PM
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As a musical theatre composer myself, this book was dead on as far as its intricate dissecting of Sondheim's scores. However, non-musicians take note: This book may not be for you. Banfield employs deep theortical analasys of Sondheim's work, and most readers without a background in music theory will find some of this book difficult to understand. As far as Banfield's analasys goes, it is right on target. He explains the various schemes and tecniques Sondheim uses in his music to make it sound exactly like what is being expressed. Banfield also does an excellent job in explaning the various actions that drove Sondheim to write his shows and the reactions that came from the critics. All in all, this is a wonderfully written book.
reviewed by markymark on November 29, 2006 5:59 PM