Anybody who has seen the recent movie "Memento" knows the premise: the protagonist (in this case a wounded mercenary) has lost his longterm memory, and so can only remember what happens to him for one day. In both the movie and this book, he tries to compensate by writing down what he needs to know. Gene Wolfe's fine novel, however, far predates "Memento", and the world it describes, Greece in the 5th century BC, is a far more exotic and alien place.

As a piece of craft, this is a wonderful book--full of apt and elegant descriptions, sparely but deftly rendered characters, and eruptions of violence that pack surprising power. Wolfe is a writer who transcends the genre he happens to be working in, which is something of a miracle in today's pigeon-holed, dumbed-down publishing climate. My only complaint is that he perhaps takes his conceit too far, throwing in one or two too many shifts in time and place (and, in the case of one character, even gender) so that the plot remains less involving that it might have been.

All in all, this is a remarkable achievement.

Someone said elsewhere that this felt like an exercise for Wolfe, and I know what they mean-- using a Memento-like plot (a main character who loses his memory at the end of every day) Wolfe sketches the world of ancient Greece through the eyes of a soldier named Latro.

The details are compelling-- I was uninterested in the real historical value (people should not be trying to derive history lessons from fantasy novels) but Wolfe does a good job, as usual, of creating a realistic and detailed world for Latro to inhabit.

The plot is somewhat less compelling. It is nearly a necessity of the trope that he chose that the plot becomes confusing (particularly in times when Latro couldn't write his journal) and I'm sad to say that I often didn't feel any kind of guiding line that was coherent enough to motivate me through the confusion.

Interesting for Wolfe completists or real fans of historical fiction, not a place to begin with his work otherwise.

Soldier of the Mist follows the exploits of the (Roman?) mercenary Latro, serving in the Persian army during the invasion of Greece 2400 years ago (give or take a few decades). Wandering under the curse of an offended diety, Latro is doomed to forget all previous days with the arrival of each new sunrise, and his only form of memory is a diary kept on a scroll of papyrus, on which he records each day's activities at the urging of a young girl who has attached herself to him. While each new dawn inflicts amnesia on Latro, his curse brings with it the ability to see and interact with the various Gods, Goddesses, and other mythical creatures of classical mythology that are invisible to the other mortals around him. Other critics on this site have pointed out several flaws in Wolfe's re-creation of history, but whatever mistakes the author makes with history, he makes up for it with sublime, existential prose, albeit, with a sometimes baffling narrative. Definately not for everyone, but if you have a taste for unusual reading, Soldier of the Mist merits consideration.

This book is set in Ancient Greece, during the Persian Wars. The protagonist, Latro, is a soldier who has recieved a head wound and forgets very quickly. Therefore, he keeps a journal to tell himself who he is and what has happened to him--and that journal is this book. When I first heard about this, I was skeptical that a coherent novel could be written this way, but Wolfe makes it work without stretching believability too much.

Wolfe describes the setting effectively. In order to prevent the reader from using prior knowledge of Greek history or mythology to unfair advantage, he usually replaces the Greek proper names with the protagonist's translations (sometimes incorrect!), which are then rendered into English. This makes the reader nearly as disoriented as the characters, making the book more interesting. Some readers may be annoyed that Wolfe never stops to explain anything, but I think it's better this way, since it avoids the contrived plot devices and character behavior that are often necessary for more explicit exposition. Wolfe's characters are realistic enough, and it's interesting to watch Latro's development as a character and the ways he deals with his affliction.

Of course, I do have some complaints. The first few chapters were boring, and sometimes the plot seemed to drift, as if the author, as well as Latro, had forgotten what he was doing. This aside, Soldier of the Mist could make a good introduction to Wolfe for those who find the New Sun series intimidating. I rarely had much trouble with that longer (and better) work, but some do, and they may be glad that the worldbuilding, allusions, and descriptive language have been toned down. If you have already read and liked Wolfe, then read this. It won't change your life, but it is a solid and rewarding novel.