Shadowheart 
asked by jbritt on November 21, 2006 3:49 PM
Readers were first introduced to Allegreto, the elegant assassin, in For My Lady's Heart. Now, he is a charismatic, dangerous man who will stop at nothing to regain his rightful place in the rich Italian principality of Monteverde. And the perfect tool has just fallen into his hands, in the lovely form of Lady Elena--the long-lost Monteverde princess. Only she can solidify his claim...but the dark passion that grows between them is more dangerous than any treachery mortal men could devise.
Reviews
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Lady Elena finds herself returning to Monteverde, she is their long lost princess and her destiny is about to be realized. She returns already betrothed to the man that is currently running the kingdom. Before she can safely arrive her ship is captured by pirates led by Allegretto. He cares not at all how he does it but he is driven to resume his rightful place in Monteverde. This assassin/pirate can be ruthless when he sees his goals in sight. Elena though is not a hardship to wed once he realizes her worth. Elena is first captured along with her ship but it is not long before she finds herself wed to the very man who sears her with his tenderness and yet she remembers what his is...or does she. Perhaps the tender side of him is the true Allegretto.
This is the first time I've ever read anything by Ms. Kinsail. Alas this won't be the case for long. This title is a follow up to "My Lady's Heart" Still despite the fact this is a "follow up" type of read...I felt totally involved in the storyline. The first sentence totally captured my attention and held it until the final moving page. Allegretto is a complex hero and one romance fans will surely find themselves falling a little in love with. Elena is a strong match for her hero and Ms. Kinsail managed to express her angst in such a way that the reader could feel her fear, frustration, and love. If you are looking for a strong historical romance that offers something a little new than I highly recommend you add Ms. Kinsail to your must read list. I have! For CK2S Kwips and Kritiques
This is the first time I've ever read anything by Ms. Kinsail. Alas this won't be the case for long. This title is a follow up to "My Lady's Heart" Still despite the fact this is a "follow up" type of read...I felt totally involved in the storyline. The first sentence totally captured my attention and held it until the final moving page. Allegretto is a complex hero and one romance fans will surely find themselves falling a little in love with. Elena is a strong match for her hero and Ms. Kinsail managed to express her angst in such a way that the reader could feel her fear, frustration, and love. If you are looking for a strong historical romance that offers something a little new than I highly recommend you add Ms. Kinsail to your must read list. I have! For CK2S Kwips and Kritiques
reviewed by iconfess on November 26, 2006 6:34 AM
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After reading 'the shadow and the star', I thought I'd never pick up another Kinsale book. But a friend convinced me (read nagged and threatened with bodily harm) that I just *had* to give 'Shadowheart' a try.
I don't regret it.
This book isn't perfect. The hero's point of view is barely explored, the heroine's age doesn't always match her actions, and some character changes are a bit too abrupt and unexplained. Still, all this disappears in face of the one clear strength of this book: the heroine. Elena is kind , principaled and sweet, but, to Mrs. Kinsale's credit, she is flexible, intelligent and strong none the less. She stands up for herself on matters she finds important, but doesn't do it in a childish or ridiculous way; a great (and all too rare) advantage in a romance heroine.
Allegreto is a fascinating and mysterious character, a murderer who thought himself beyond redemption, and suddenly finds himself in a situation which isn't in his control. My one (major) qualm with him is that he's too mysterious. There's very little of his POV, and the reader doesn't really get to know why he falls in love with Elena or why he yields to her the way he does.
That leads me to the dominant/submissive part of their relationship. Unlike some reviewers, I liked it, and, more importantly, I found that it fit very well into the story, and created a balance of power between the young and fairly innocent Elena and the too-powerful Allegreto, which might not have been achieved had their relationship been a 'regular' one.
A last point is the important part that religion took place in this book. I'm not a Christian, and I usually skip or suffer through the 'preachy' parts in books. Here, however, I found that the theme of sin and redemption was very well handled, adding a very deep and touching aspect to the love between the two characters.
I don't regret it.
This book isn't perfect. The hero's point of view is barely explored, the heroine's age doesn't always match her actions, and some character changes are a bit too abrupt and unexplained. Still, all this disappears in face of the one clear strength of this book: the heroine. Elena is kind , principaled and sweet, but, to Mrs. Kinsale's credit, she is flexible, intelligent and strong none the less. She stands up for herself on matters she finds important, but doesn't do it in a childish or ridiculous way; a great (and all too rare) advantage in a romance heroine.
Allegreto is a fascinating and mysterious character, a murderer who thought himself beyond redemption, and suddenly finds himself in a situation which isn't in his control. My one (major) qualm with him is that he's too mysterious. There's very little of his POV, and the reader doesn't really get to know why he falls in love with Elena or why he yields to her the way he does.
That leads me to the dominant/submissive part of their relationship. Unlike some reviewers, I liked it, and, more importantly, I found that it fit very well into the story, and created a balance of power between the young and fairly innocent Elena and the too-powerful Allegreto, which might not have been achieved had their relationship been a 'regular' one.
A last point is the important part that religion took place in this book. I'm not a Christian, and I usually skip or suffer through the 'preachy' parts in books. Here, however, I found that the theme of sin and redemption was very well handled, adding a very deep and touching aspect to the love between the two characters.
reviewed by jerseymike on November 27, 2006 8:01 PM
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Shadowheart wasn't quite what I expected it to be. After reading the reviews at Amazon and B&N, I thought it would be a lot darker, more erotic in nature. But it looks as though PERHAPS the reviewers were overreacting a little bit to the so-called deviant sex in the book.
I can't say I particularly liked the book, but I also didn't dislike it. It's a nice story - key word there 'story'. It was kind of like a fairytale...not one of those cheesy, sanitized children's versions, but a real one with darkness and evil and a moral. The book was long and tedious at times, with a lot of wasted space on inane events. But overall, it was a fairly interesting storyline. There were just a lot of things I took issue with.
I think one of the critical errors of the books is the way Kinsale handled the POVs. The first 250+ pages (approximately) are told strictly from Elena's POV. You get no sense of Allegretto other than through Elena's eyes, no insight into his character through his POV. Then suddenly halfway through the book she slips into his POV for a short while. After that, the book is still mostly Elena, but once in a while, you get a glimpse of Allegretto's thoughts, just not enough. Allegretto is such a complicated character, who does things that are unexpected and unexplained. The book would have been served more if she had used his POV more, and it certainly would have worked out better if she had not ignored him for the first half of the book. Focusing so much on Elena kept the readers from connecting with Allegretto and understanding his character.
Another issue with the story is that it is supposedly directly connected to another book, in which Allegretto is first introduced. The plot of that book apparently deals with the time in Monteverde when the revolution began. Kinsale does a poor job of relaying the history of the fictional place in the beginning of the book. For readers who did not read this earlier book, you're left a bit out in the wind as to the situation, the events, and other aspects that would have made things clearer. Kinsale fell into the trap many authors do in assuming that if you are reading this book then you read the other and therefore don't need explanations. It just made things confusing for a while.
Issue 3 (and it's 3 sub-issues)...ah, the big S&M issue. The first comment I have to make here is: good grief, if readers got all freaked out about what they read in this book, I'd hate to see what would happen if they saw some truer S&M. Because though at it most elemental, what happens in this book would be considered sadomasochism, it is hardly true S&M. I'd venture to say that anyone in that realm would say it was barely S&M. The extent of it in the book involves some biting and the use of fingernails. That's all. No paddles, no whips, no tools of any kind. Just the biting and use of fingernails. Yes, the sex was violent and used pain liberally, but it wasn't hardcore. It just wasn't the pretty stuff of typical romance novels. If anything, I'd say the book had more of a FemDom (female domination) aspect than an S&M one - though I suppose the two are in reality heavily intertwined.
The issue with the S&M element lies not with its existence, but with how Kinsale presented it. Which leads to sub-issue one: Elena's age. In the beginning of the book, she is 17 years old (this is a historical after all, females are generally young). But she is an innocent young girl with no worldly knowledge. Then suddenly she is a FemDom who inflicts pain. There's no transition, no learning process for her. She's just suddenly a Dominatrix. It doesn't work and leads to an element of disbelief because the reader has a hard time accepting that she would know about any of these issues without some sort of learning process. There should have been a transition, with Elena gradually discovering the elements of pain and control.
Sub-issue 2 in this area relates to the POV issue. Since Kinsale does not use Allegretto's POV very much, and not at all for the first half of the book, the reader gets no insight into his actions. Why does he allow Elena to dominate him? Why does he submit? Why does he enjoy the pain she inflicts? Allegretto is built up as this true Alpha male who likes to be in control, who has no feelings and kills without remorse. Then he lets Elena do what she does to him, and the reader is given only small crumbs as to his inner thoughts and reasoning. Like the issue with Elena's age, this also fosters disbelief. How is the reader supposed to accept his actions without any kernels as to why he allows it? You get a slight impression now and then that he is allowing it as his penance for all the sins he has committed in his lifetime, but you never get a true insight into his character. It was just really hard to accept his submissiveness when you aren't given much insight into his character.
Sub-issue 3...and this one is more just a personal preference, than a real issue probably. But pretty much every single sexual scene in the book relied on the pain/pleasure - S&M aspect. There was hardly ever any gentleness between them. I had no problem with the S&M elements, but I thought there should not have been such a heavy reliance on it. I had a hard time accepting the love between them when their only interactions involved dominating and causing pain. It was like their bond depended solely on pain and domination. I suppose there is nothing wrong with that; it is probably a true element to some real S&M practitioners, but for a main-stream romance novel, it didn't quite work.
The love between them overall was hard to comprehend. It's built upon a typical historical romance premise of kidnapper/abductee...the whole victim falls for her capturer thing. It's a little too typical. Aside from that, you get no understanding of why Allegretto loves her and why Elena accepts who he is (after she complains about it for most of the book). I just did not feel the connection between them. They are just supposed to love each other. But most of the time, they just seemed like 2 characters who liked to have unorthodox sex. Yet Elena said numerous times that she would sacrifice going to Heaven for him. I didn't buy it.
Which leads to the last issue with the book - and again this is a personal preference one - is the very heavy reliance on religion. One of the main themes of the book is sin and redemption. For a true atheist like me, it made me want to roll my eyes half the time. But on a more general religious aspect...both characters claim to be Catholics who believe in sin and heaven and hell, and all that. They want to confess their sins and be redeemed, be 'good' Catholics. Yet both characters engaged in pagan practices and never seemed to have any qualms about it. Every other action they committed was intertwined with their religious beliefs, but their pagan practices were ignored and accepted. That seemed a bit wrong to me.
Okay...well, after all that...Shadowheart was a so-so book. Too many things about it bothered me to make me like it more. I often found myself enjoying the 'plot' of the book (where Monteverde is freed from its violent oppression) more than the characters and the supposed romance. Still, the story was long and tedious. I kept putting it down to take a break to do something fun. I had to work a bit to make it through the book. But it was an interesting story. And while I applaud Kinsale for delving into non-traditional sexual practices, I wish she would done it more realistically and explored the characters psyches more. In the end, the book has its virtues and it's a curious read, but I don't think I'd want to pay $8 for it. Luckily I got it for a buck.
Rating: 2.5 / 5
I can't say I particularly liked the book, but I also didn't dislike it. It's a nice story - key word there 'story'. It was kind of like a fairytale...not one of those cheesy, sanitized children's versions, but a real one with darkness and evil and a moral. The book was long and tedious at times, with a lot of wasted space on inane events. But overall, it was a fairly interesting storyline. There were just a lot of things I took issue with.
I think one of the critical errors of the books is the way Kinsale handled the POVs. The first 250+ pages (approximately) are told strictly from Elena's POV. You get no sense of Allegretto other than through Elena's eyes, no insight into his character through his POV. Then suddenly halfway through the book she slips into his POV for a short while. After that, the book is still mostly Elena, but once in a while, you get a glimpse of Allegretto's thoughts, just not enough. Allegretto is such a complicated character, who does things that are unexpected and unexplained. The book would have been served more if she had used his POV more, and it certainly would have worked out better if she had not ignored him for the first half of the book. Focusing so much on Elena kept the readers from connecting with Allegretto and understanding his character.
Another issue with the story is that it is supposedly directly connected to another book, in which Allegretto is first introduced. The plot of that book apparently deals with the time in Monteverde when the revolution began. Kinsale does a poor job of relaying the history of the fictional place in the beginning of the book. For readers who did not read this earlier book, you're left a bit out in the wind as to the situation, the events, and other aspects that would have made things clearer. Kinsale fell into the trap many authors do in assuming that if you are reading this book then you read the other and therefore don't need explanations. It just made things confusing for a while.
Issue 3 (and it's 3 sub-issues)...ah, the big S&M issue. The first comment I have to make here is: good grief, if readers got all freaked out about what they read in this book, I'd hate to see what would happen if they saw some truer S&M. Because though at it most elemental, what happens in this book would be considered sadomasochism, it is hardly true S&M. I'd venture to say that anyone in that realm would say it was barely S&M. The extent of it in the book involves some biting and the use of fingernails. That's all. No paddles, no whips, no tools of any kind. Just the biting and use of fingernails. Yes, the sex was violent and used pain liberally, but it wasn't hardcore. It just wasn't the pretty stuff of typical romance novels. If anything, I'd say the book had more of a FemDom (female domination) aspect than an S&M one - though I suppose the two are in reality heavily intertwined.
The issue with the S&M element lies not with its existence, but with how Kinsale presented it. Which leads to sub-issue one: Elena's age. In the beginning of the book, she is 17 years old (this is a historical after all, females are generally young). But she is an innocent young girl with no worldly knowledge. Then suddenly she is a FemDom who inflicts pain. There's no transition, no learning process for her. She's just suddenly a Dominatrix. It doesn't work and leads to an element of disbelief because the reader has a hard time accepting that she would know about any of these issues without some sort of learning process. There should have been a transition, with Elena gradually discovering the elements of pain and control.
Sub-issue 2 in this area relates to the POV issue. Since Kinsale does not use Allegretto's POV very much, and not at all for the first half of the book, the reader gets no insight into his actions. Why does he allow Elena to dominate him? Why does he submit? Why does he enjoy the pain she inflicts? Allegretto is built up as this true Alpha male who likes to be in control, who has no feelings and kills without remorse. Then he lets Elena do what she does to him, and the reader is given only small crumbs as to his inner thoughts and reasoning. Like the issue with Elena's age, this also fosters disbelief. How is the reader supposed to accept his actions without any kernels as to why he allows it? You get a slight impression now and then that he is allowing it as his penance for all the sins he has committed in his lifetime, but you never get a true insight into his character. It was just really hard to accept his submissiveness when you aren't given much insight into his character.
Sub-issue 3...and this one is more just a personal preference, than a real issue probably. But pretty much every single sexual scene in the book relied on the pain/pleasure - S&M aspect. There was hardly ever any gentleness between them. I had no problem with the S&M elements, but I thought there should not have been such a heavy reliance on it. I had a hard time accepting the love between them when their only interactions involved dominating and causing pain. It was like their bond depended solely on pain and domination. I suppose there is nothing wrong with that; it is probably a true element to some real S&M practitioners, but for a main-stream romance novel, it didn't quite work.
The love between them overall was hard to comprehend. It's built upon a typical historical romance premise of kidnapper/abductee...the whole victim falls for her capturer thing. It's a little too typical. Aside from that, you get no understanding of why Allegretto loves her and why Elena accepts who he is (after she complains about it for most of the book). I just did not feel the connection between them. They are just supposed to love each other. But most of the time, they just seemed like 2 characters who liked to have unorthodox sex. Yet Elena said numerous times that she would sacrifice going to Heaven for him. I didn't buy it.
Which leads to the last issue with the book - and again this is a personal preference one - is the very heavy reliance on religion. One of the main themes of the book is sin and redemption. For a true atheist like me, it made me want to roll my eyes half the time. But on a more general religious aspect...both characters claim to be Catholics who believe in sin and heaven and hell, and all that. They want to confess their sins and be redeemed, be 'good' Catholics. Yet both characters engaged in pagan practices and never seemed to have any qualms about it. Every other action they committed was intertwined with their religious beliefs, but their pagan practices were ignored and accepted. That seemed a bit wrong to me.
Okay...well, after all that...Shadowheart was a so-so book. Too many things about it bothered me to make me like it more. I often found myself enjoying the 'plot' of the book (where Monteverde is freed from its violent oppression) more than the characters and the supposed romance. Still, the story was long and tedious. I kept putting it down to take a break to do something fun. I had to work a bit to make it through the book. But it was an interesting story. And while I applaud Kinsale for delving into non-traditional sexual practices, I wish she would done it more realistically and explored the characters psyches more. In the end, the book has its virtues and it's a curious read, but I don't think I'd want to pay $8 for it. Luckily I got it for a buck.
Rating: 2.5 / 5
reviewed by iconfess on November 27, 2006 11:19 PM
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Let me first make it known that I RE-READ Shadow and the Star, Prince of Midnight, Flowers from the Storm, and most especially For My Ladys Heart on a regular basis. And frankly, who didn't fall in love with that beautiful cold assassin Algretto in FMLH?? Like many, my eagerness for the book to be released was overwhelming for Shadowheart. And then, Elena happened. In her I didn't see the true love the soul mate that we had waited for and that he deserved! Instead we ended up with a selfish whiny 'person' that I can't even call a heroine. Elena ruined the book. It certainly couldn't have been the ever so brilliant Kinsale!? As Melanthe would say "Poor Algretto."
reviewed by astrofizzy on November 29, 2006 1:58 AM
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Stories that are psychologically powerful as well a gutsy romance don't come along often enough. This story rang true to the historical intrigue of Italy and is so powerfully writen that it is unforgettable. The intricacy detail of the hero's life, his torturous road to redemption and the amazing growth in character and understanding of the heroine were both worth while journeys. An incredibly rich book, I really enjoyed it and look forward to more. i will re-read it. The two books together, My Lady's heart and Shodowheart are an amazing achievement.
reviewed by noreason on November 29, 2006 9:20 AM