This is simply the best book about art I have ever read. Like other reviewers, I can say that this book permanently altered the way I see the world (and art). Irwin did it and he still does it.

I picked up this book in 1984 because it was on a reading list for an Art History class I was taking at Oberlin College. I stayed up all night in the library that night. I couldn't put it down. My mind has never been the same.

I still often think of it,tell stories from it and give it as a gift. I always say "skip the first chapter-it gets much better." If I remember right, the book begins with a description of Irwin's perfectionism when cleaning the engine of his car. I figure that will bore my friends.

I tell my students about Irwin's many years attempt to make the perfect line, to his wife chagrin and his painting the back side of his paintings because it matters to him. They like the story of the riots that occured in South America due to the disorientation of his discs-concave and convex-the viewer couldn't tell where the wall started and the disc stopped. I have given the book as a graduation present.

I thought about this book at the mechanic the other day. My engine is very, very dirty.

I will never forget,forgetting. Great book.

if you want to understand the mind of a modern conceptual artist and his life...read this....profound,interesting,illuminating,inspiring...read this

Robert Irwin is a wonderful artist, and this is a must-read for anybody interested in his work, or in his West Coast brand of conceptualism. But this book is also a fantastic biography in its own right - Weschler, who now works for the New Yorker, writes like an angel, and reading this book is a pleasure indeed. To say that this is one of the best biographies of an artist ever would be far too faint praise: this is one of the best biographies ever, period.