Scars of Sweet Paradise: The Life and Times of Janis Joplin 
asked by noreason on October 31, 2006 7:02 PM
To call Janis Joplin the Judy Garland of the Woodstock set is in some sense a fair characterization. The brassy, carnal, extravagant, and ultimately pitiable queen of psychedelic rock is indeed a cultural icon. And while Joplin reveled in her own ballsy, boozy legend, its needy, inebriated, real-life equivalent was a shadow that darkened her short life and, in the decades since her 1970 drug-induced death, has come to eclipse the party-girl persona.
To her great credit, author Alice Echols reconciles the two faces of Joplin in this ambitious, thoroughly readable biography. She does so by tracing Joplin from her youth as a natural-born libertine in dreary Port Arthur, Texas, to her emergence as the sole female rock superstar of her era--a period when beneath-the-surface sexism hampered Joplin's progress even while women's liberation was being widely touted. The author does not shy away from sordid sex-and-drugs episodes, and there's plenty of raw material---the singer was promiscuous, bisexual, and, at various times, an alcoholic, a speed freak, and a junkie. Echols, however, elevates this biography above run-of-the-mill rock profiles by painting her subject against an elaborate and ever-changing cultural backdrop. Here is Joplin the aspiring folksinger, the white-picket-fence wannabe, the wayward daughter, the hit-and-miss recording artist, and, finally, the ill-starred spirit with nothing left to lose. --Steven Stolder
Reviews
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ýOh Lord, won`t you buy me a Mercedes Benz, my friends all drive Porsches, I must make amends," Janis Joplin sang so outragedly, if it would be seriousness and not satire (knowing very well, that, occasionally, some wishes are not fulfilled). ýWorked hard all my lifetime, no help from my friends," - that does not matter anyway and applies to God (if there is one) not as an argument: Proof of it is clear to find. Janis Joplin has slaved away and lived, intensive as a lunatic -- this has not changed the mind of God to let her get 100 years old. Perhaps it was not God, however, who set forcefully a final stroke to this style of protesting impudently (ýOh Lord, won`t you buy me a colour TV, ...I wait for delivery, each day until three"), it seems, that Janis arrived at the dead end, because she once took pure, separate heroin (her main dealer was just on holiday). ýOh Lord, won't you buy me a night on the town, I'm counting on you Lord, please don't let me down, prove that you love me, and buy the next round..." There was not any next round, after she had taken this song ("Mercedes Benz") in the studio - a capella - the instruments should get mixed the next day. But in the night of October 4th 1970 Janis Joplin died. Eric Burdon commented: "Janis did not die of an overdose heroin. She died of an overdose Janis"
reviewed by redryder on November 18, 2006 12:22 AM
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I found this book to be quite interesting on the level of an historical and cultural analysis of Janis's life. Echols manages to write an objective biography on Joplin that does not get too sentimental or depressing, as have other biographies on Janis. This biograpy provides one with an education on the late 50s/ early 60s (on the level of history and lifestyle); however, it is not as personable as other biographies. Overall a very good book.
reviewed by bestseller on November 21, 2006 3:49 AM
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This brilliant book is both a biography of Janis Joplin and a cultural history of the 1960s. Scars Of Sweet Paradise is a very thorough and in-depth look at Joplin's life and times and at the same time an exploration of the quiet suburban life versus the lure of the counterculture. The bohemian underground, unlike some idyllic portrayals of it, had its share of cynicism and destructiveness.
Much of this book deals with this evolving underground as it relates to the music, gender relationships and the merger of art and commerce. It is the story of a generation's restless and reckless life on the edge, from which Janis and many others never returned. The author conducted over 150 interviews and spent 5 years on research to produce this comprehensive work on Joplin and her era.
The Janis that emerges is a complex, multi-faceted personality that inspires admiration and sadness. The story begins in Port Arthur where Joplin's early life is described, including her first exposures to rock and folk music. It follows her to college and her first taste of the bohemian life then on to her first visit to San Francisco and eventual return to Port Arthur.
She went back to SF and her career began to take off. It is fascinating to read about the colourful personalities that she mixed with in San Francisco: the friends, the lovers and the musicians. Echols is a skilful narrator, seamlessly blending Joplin's moves and her relationships with the rise of her career. There are plenty of quotes from contemporary musicians that really illuminate this mythologized period in history.
My only minor complaint is that the author does not seem to share in the excitement as Joplin finally makes it big with Big Brother an the Cheap Thrills album - this story is just given clinically as part of the larger narrative. The various bands, Big Brother, Kozmic Blues and Full Tilt Boogie, are discussed in detail, as well as the recording process of each of the major albums: Cheap Thrills, I Got Dem Old Kozmic Blues and Pearl. The personalities behind her success, like Abert Grossman and Linda Gravenites, are sympathetically portrayed.
Echols explores Joplin's influence on various performers and notes that the heavy metal crowd picked up on her style but that she didn't directly inspire any clones. Ultimately, Janis appears as a brave, wild and very vulnerable human being who was quite likable, if somewhat volatile. There are 35 black and white photographs and the book concludes with a discography, copious notes and an index. Almost scholarly in its depth, Scars Of Sweet Paradise is yet a gripping read that will please her fans and all who are interested in the 1960s counterculture and the evolution of rock music.
Much of this book deals with this evolving underground as it relates to the music, gender relationships and the merger of art and commerce. It is the story of a generation's restless and reckless life on the edge, from which Janis and many others never returned. The author conducted over 150 interviews and spent 5 years on research to produce this comprehensive work on Joplin and her era.
The Janis that emerges is a complex, multi-faceted personality that inspires admiration and sadness. The story begins in Port Arthur where Joplin's early life is described, including her first exposures to rock and folk music. It follows her to college and her first taste of the bohemian life then on to her first visit to San Francisco and eventual return to Port Arthur.
She went back to SF and her career began to take off. It is fascinating to read about the colourful personalities that she mixed with in San Francisco: the friends, the lovers and the musicians. Echols is a skilful narrator, seamlessly blending Joplin's moves and her relationships with the rise of her career. There are plenty of quotes from contemporary musicians that really illuminate this mythologized period in history.
My only minor complaint is that the author does not seem to share in the excitement as Joplin finally makes it big with Big Brother an the Cheap Thrills album - this story is just given clinically as part of the larger narrative. The various bands, Big Brother, Kozmic Blues and Full Tilt Boogie, are discussed in detail, as well as the recording process of each of the major albums: Cheap Thrills, I Got Dem Old Kozmic Blues and Pearl. The personalities behind her success, like Abert Grossman and Linda Gravenites, are sympathetically portrayed.
Echols explores Joplin's influence on various performers and notes that the heavy metal crowd picked up on her style but that she didn't directly inspire any clones. Ultimately, Janis appears as a brave, wild and very vulnerable human being who was quite likable, if somewhat volatile. There are 35 black and white photographs and the book concludes with a discography, copious notes and an index. Almost scholarly in its depth, Scars Of Sweet Paradise is yet a gripping read that will please her fans and all who are interested in the 1960s counterculture and the evolution of rock music.
reviewed by willie on November 24, 2006 5:10 AM
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Alice Echols skillfully weaves the cultural nuances of the complicated '60s with the life and times of the great Janis Joplin. Informative and painstakingly researched. This book is far superior to Myra Friedman's overrated "Buried Alive," which is a vast pile of stinky doo-doo rather than a definitive biography. Avoid "Buried Alive" and get this book instead.
reviewed by shawn on November 28, 2006 5:02 PM