Rube Goldberg: Inventions! 
Welcome to the world of that archetypal American, Reuben Lucius Goldberg, the dean of American cartoonists for most of the twentieth century. For more than sixty-five years, Rube Goldberg's syndicated cartoons -- he produced more than fifty strips -- appeared in as many as a thousand newspapers annually He was earning a hundred thousand dollars a year...in 1915. He wrote hit songs and stories and was, in succession, a star in vaudeville, motion pictures, newsreels, radio, and, finally, television.
He even, at the age of eighty, began an entirely new career as a sculptor, and, in inimitable Goldberg fashion, was soon selling his work to galleries, collectors, and museums all over the world. Sure, Rube won the Pulitzer Prize. Every year some cartoonist wins the Pulitzer Prize. But the National Cartoonists Society named its award -- the Reuben -- after you-know-who.
But it was Rube's "Inventions," those drawings of intricate and whimsical machines, that earned Rube his very own entry in Webster's New World Dictionary:
Rube Goldberg...adjective...Designating any very complicated invention, machine, scheme, etc. laboriously contrived to perform a seemingly simple operation.
"Inventions," even the earliest ones that date from 1914, are still being republished and recycled today as they have been over the last eighty-five years. New generations rediscover and enjoy them every day, even though their creator cleaned his pens, put the cap on his bottle of Higgins Black India Ink, and cleared his drawing board for the last time almost thirty years ago. The inventions inspired the National Rube Goldberg™ Machine Contest, held annually at Purdue University, an "Olympics of complexity" in which hundreds of engineering students from American universities and colleges -- and even middle and high schools -- compete to build and run Rube Goldberg invention machines that perform, in twenty or more steps, the annual challenge.
In 1970 the Smithsonian Institution hosted a show honoring Rube Goldberg's lifework. In a life filled with superlatives, it hardly needs mentioning that Rube is the only living cartoonist and humorist to have been so honored. In his speech at the show's opening, Rube said, "Many of the younger generation know my name in a vague way and connect it with grotesque inventions, but don't believe that I ever existed as a person. They think I am a nonperson, just a name that signifies a tangled web of pipes or wires or strings that suggest machinery. My name to them is like spiral staircase, veal cutlets, barber's itch -- terms that give you an immediate picture of what they mean..."
So welcome to a collection of spiral staircases and veal cutlets -- to the inventions of an American original, a creative genius named Rube Goldberg.
Reviews
Finding this book was a real treat.I haven't seen much of his work for a long time.Little wonder,since Rube died in 1970.Goldberg is a national treasure,not only for his Inventions,but also for many other art forms.He graduated as a Mining Engineer,did Vaudville,wrote songs and plays,was in Motion pictures,Newsreels,Radio,and TV.He also took up Sculpture at the age of 80 selling about 300 works to private collectors,galleries and museums.
He created his own artform and was a resounding success by his early 30's and remained so the rest of his life of 87 years.His cartooning skills reflected the early years of cartoons where the message was more important than the artwork;which really came into its own and exploded after WWII.That is,more like the stuff we saw from Mutt and Jeff by Bud Fisher and R F Outault's Yellow Kid.Generally speaking,after the war,the great change in artwork after WWII became the world of comics,such as Dick Tracy by Chester Gould,Terry and the Pirates by Milton Caniff and what we see today in Doonesbury by Gary Trudeau.
I can't remember if I ever saw any of Rube's cartoons in color and there is no use or mention of color in the book.While he still produced well after color became popular in comics and cartoons,the question remains unanswered.On his website there is a Machine Contest 2005 in color,but it is obviously not his work.Does anyone know if any of Rube's cartoons were printed in color?
Overall,this is an excellent book and does a good job on the life and work of an artist who entertained so many for so long.
As mechanical engineers in college, we used to play around with this concept quite often.
The use of unpredictable things in his cartoons (people, animals) make a cartoon look impossible, if it isn't enough already.
A plant being watered and growing (in a couple of seconds) to accompllish a task is to me, not possible, but at least predictable. An animal or person being heated up, causes Goldberg's desired effect only because he drew the human to do so. But for the human, the number of possible responses are many. We all know that the watered plant will do only one thing. Go up. The time suggested for it to do so; therein lies the humor.