Ring of Fire (Assiti Shards) 
asked by onthemic on November 7, 2006 6:02 AM
The battle between democracy and tyranny is joined, and the American Revolution has begun over a century ahead of schedule. A cosmic accident has shifted a modern West Virginia town back through time and space to land it and its twentieth century technology in Germany in the middle of the Thirty Years War. History must take a new course as American freedom and democracy battle against the squabbling despots of seventeenth-century Europe. Continuing the story begun in the hit novels 1632 and 1633, the New York Times best-selling creator of Honor Harrington, David Weber, the best-selling fantasy star Mercedes Lackey, best-selling SF and fantasy author Jane Lindskold, space adventure author K. D. Wentworth, Dave Freer, co-author of the hit novels Rats, Bats & Vats and Pyramid Scheme (both Baen), and Eric Flint himself combine their considerable talents in a shared-universe volume that will be a "must-have" for every reader of 1632 and 1633.
Reviews
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A brilliant idea: both this book and the new series of which it is a part. All red-blooded Americans will like these stories, and probably many Germans, too.
This is a better reading book than Flint's "1632" or "1633." Those are the novels that introduced the idea, of a bunch of small-town West Virginians mysteriously transported back to 1632 in south German lands in the middle of the misery of the Thirty Years War, into a series. This volume is the first to consist of a number of short stories and a novela, each one focused on a single topic or set of characters that are much simpler to understand than the novels. The argumentation or plots are short and tight here. Each story is an entire capsule, rather than open-ended threads (as in the novels), within a saga that is gradually spreading to encompass (and rewrite the "history" of) all of Europe, and equally difficult to integrate. The "main line" of novels sprawls a good bit, each juggling numerous parallel threads--like real history-- which will all, hopefully, link up some day. In this collection we get entire stories of how some line of innovation got started after the Americans arrived down-time, such as naval ships, the dye industry, religious rapprochements, telegraphy, infiltration, and the propagation of the American way, seen as the only route to survival. The idea is a bit like Twain's The Connecticut Yankee in King Arthur's Court, but now for an entire town of 3500 facing and adapting to the brutal challenges of a strife-torn Europe.
The brilliant innovation of the series is its structure. Besides the novels, written by the creator Eric Flint and picked collaborators, Ring of Fire begins a line of anthologies that fill out the big picture developed in those huge novels. This anthology is not the usual passel of authors riffing on someone's created world, each in their own inimitable but clashing styles. It includes stories set in the world of "1632" submitted by unknown authors over email, taking advantage of an intense online community that has grown for the further development of this world. They produce a coherent collection of disparate stories, but linked by style and consistent background events, thanks to Flint's strong editorial hand and the cooperation of the writers. Significantly, some stories provide the backstory of major characters seen in the novels, while others show the contributions of minor characters to the fight for survival. Most remarkably, new characters are also introduced who will be allowed to become leading actors in the future main line novels. This series is a truly collaborative enterprise; the many authors of this anthology are not merely guest writers. Their stories spin in to, not spin out from, Flint's world of "1632." This structure is very generous, excitingly productive, and is unique in my reading experience.
While the novels contain major military actions, as one might expect from Flint's other books, this volume concentrates mostly on a great variety of civilian matters vital to the survival and then expansion of the community. The prose is so-so, quite literal, and just drives staight ahead. There also must be lots of pedantic history necessary to make sense of the specific problems and situations addressed here. Although this book should be read after "1632," the stories are not confined to a time line, and so can be read alongside any of the "1634: xx" novels. The Assiti Shards moniker has nothing to do with the series at present, but may eventually explain the mysterious initial time travel element.
This is a better reading book than Flint's "1632" or "1633." Those are the novels that introduced the idea, of a bunch of small-town West Virginians mysteriously transported back to 1632 in south German lands in the middle of the misery of the Thirty Years War, into a series. This volume is the first to consist of a number of short stories and a novela, each one focused on a single topic or set of characters that are much simpler to understand than the novels. The argumentation or plots are short and tight here. Each story is an entire capsule, rather than open-ended threads (as in the novels), within a saga that is gradually spreading to encompass (and rewrite the "history" of) all of Europe, and equally difficult to integrate. The "main line" of novels sprawls a good bit, each juggling numerous parallel threads--like real history-- which will all, hopefully, link up some day. In this collection we get entire stories of how some line of innovation got started after the Americans arrived down-time, such as naval ships, the dye industry, religious rapprochements, telegraphy, infiltration, and the propagation of the American way, seen as the only route to survival. The idea is a bit like Twain's The Connecticut Yankee in King Arthur's Court, but now for an entire town of 3500 facing and adapting to the brutal challenges of a strife-torn Europe.
The brilliant innovation of the series is its structure. Besides the novels, written by the creator Eric Flint and picked collaborators, Ring of Fire begins a line of anthologies that fill out the big picture developed in those huge novels. This anthology is not the usual passel of authors riffing on someone's created world, each in their own inimitable but clashing styles. It includes stories set in the world of "1632" submitted by unknown authors over email, taking advantage of an intense online community that has grown for the further development of this world. They produce a coherent collection of disparate stories, but linked by style and consistent background events, thanks to Flint's strong editorial hand and the cooperation of the writers. Significantly, some stories provide the backstory of major characters seen in the novels, while others show the contributions of minor characters to the fight for survival. Most remarkably, new characters are also introduced who will be allowed to become leading actors in the future main line novels. This series is a truly collaborative enterprise; the many authors of this anthology are not merely guest writers. Their stories spin in to, not spin out from, Flint's world of "1632." This structure is very generous, excitingly productive, and is unique in my reading experience.
While the novels contain major military actions, as one might expect from Flint's other books, this volume concentrates mostly on a great variety of civilian matters vital to the survival and then expansion of the community. The prose is so-so, quite literal, and just drives staight ahead. There also must be lots of pedantic history necessary to make sense of the specific problems and situations addressed here. Although this book should be read after "1632," the stories are not confined to a time line, and so can be read alongside any of the "1634: xx" novels. The Assiti Shards moniker has nothing to do with the series at present, but may eventually explain the mysterious initial time travel element.
reviewed by lauren on November 7, 2006 9:23 PM
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I actually enjoyed this more than the main stream books. The more focused vinettes showed how the events effected not just the main characters, the the subcharacters and showed that each person would have their own point of view.
While it is mostly positive, here and there the darker side of human nature comes through.
While it is mostly positive, here and there the darker side of human nature comes through.
reviewed by dannyboy on November 28, 2006 8:11 AM