Norman Rockwell 332 Magazine Covers this question feed

asked by porsche on November 4, 2006 6:27 PM
This full-sized album of Saturday Evening Post covers captures everyday events and historic moments in American history.

Although technically Norman Rockwell was an academic painter, he had the eye of a photographer and, as he became a mature artist, he used this eye to give us a picture of America that was famliar—astonishingly so—and at the same time unique. Rockwell best expressed this vision of America in his justly famous cover illustrations for magazines like The Saturday Evening Post. 332 of these cover paintings, from beloved classics like "Marbles Champion" to lesser-known gems like "Feeding Time," are reproduced in stunning full color in this large-format volume, which is sure to be treasured by art lovers everywhere.


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This is real art. These covers are traditional Americana as it was or at least should have been in the America Norman Rockwell so loved. Study each of these works and you'll be rewarded with an innumerable collection of tiny "extras" this master hid in his paintings. This is a great gathering of very fine and highly charming visual stories.
reviewed by artdealer on November 22, 2006 7:50 PM

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To say that you can spend hours browsing through this wonderful collection is an understatement. This is a book that can be savored over a lifetime.

It shows the progression of Rockwell's art from his early, almost Victorian style covers, to his most famous illustrations, to his political portraits. It always annoys me that people claim he is an illustrator, not an artist. Simply because these pictures tell a story should not detract from their artistic merit.

This volume has them all. From the beautiful, awkward, girl at the Mirror, Doctor's appointment and countless others that are not as well known, but still great! So many of these paintings allow us to learn more about America (Can you get much more American than Norman Rockwell?). His GI- Willie Gillis is truly everyman during WWII. We seem enjoying a hometown newspaper, on leave, with his comrades, and finally as a student on the GI Bill. So many ideas are timeless. The chronicle of a day in the life of a boy or girl seem to embody childhood. Commuters on a platform captures the rise of suburbia. THe one of a son sitting with his father and dog about to leave for college captures that bittersweet moment on the cusp of adolescence.

The sunlit, yet dusty, Marriage Liscense is generally recognized as art, but others should be too. I hope that with the recent Rockwell exhibets a new generation of Americans will appreciate this wodnerful artist who captured so much of our lives!

This is a great addition to any collection- you will never tire of looking through it!

reviewed by 90210 on November 25, 2006 1:51 AM

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