Never Eat Anything Bigger Than Your Head & Other Drawings 
Reviews
A "predecessor" of Gary Larsen? Having had Kliban's book and then seeing Gary Larsen's series, Larsen's work is clearly derivative of Kliban, sort of like J.K. Rowling coming after J.R.R. Tolkein.
The book is still funny and mind-stretching, and my original 70s paperback copy is falling apart, so I'm taking the trouble to track down another copy.
Anyway, as far as I'm concerned this book is at the top of the heap of original cartoon humor and actually represents a new way of looking at everything in terms of parody from the early 70s on. Buy it if you dare.
Kliban's work would have no home in today's "funny pages." It's entertainment for adults (he began his career with Playboy magazine) and his work is scattered with obscenity and nudity. None of it is gratuitous. One thing that heavily separates Kliban's work from other cartoonists' is its depth. Social commentary mixed with metaphysics mixed with surrealism. When he's funny he's gut-wrenchingly funny. When he's profound he's deeply profound (not many cartoonists' work can be called 'profound'). He also uses the pun in a way I've never seen before. He either goes over the top and makes you gag(e.g., "Why do you hang out with that sadist?" "Beats me!"), or is very subtle and hilarious (e.g., A buffalo saying "I never met an Indian I didn't like, with the possible exception of Kahlil Gibran"). His work is nonsensical, absurd and funny.
This book includes classics such as "The Birth of Advertising", "Patron Saint of Crullers", "Contaminated Pork Bldg", "The Hairy Family Singers", "Continuous Eye Persons", "Philosophers Looting a Small Town", and many others that defy description.
Kliban's closest equivalent in cartooning must be Argentina's Quino. If you're a fan of Kliban, most likely you'll appreciate Quino's work (though some knowledge of Spanish is helpful).
Sadly, a lot of Kliban's work is difficult to find these days. His "safer" books like "Cat" are readily available, but his more edgy work seems to have nearly vanished. Perhaps someday if mainstream humor revisits off-the-wall absurdism Kliban's work will be appreciated for what it was.
