Minion: A Vampire Huntress Legend this question feed

asked by bigdv on November 22, 2006 1:58 PM
In fiction, film, and TV, vampires are a dominant trend of the young millennium. Is it is because the blood-suckers are a perfect metaphor for corrupt politicians and corporate executives? Because alternative sexualities are gaining acceptance? Because the idea of living forever (even if undead) is so alluring? The reasons are unclear. What is clear is that the hottest subgenre (in both popularity and sensuality) is the vampire-huntress subgenre, thanks to Laurell K. Hamilton's Anita Blake, Vampire Hunter and Joss Whedon's Buffy the Vampire Slayer. With L.A. Banks's debut novel, Minion, a tough, sexy new vampire huntress challenges the dominance of Anita Blake and Buffy.

Damali Richards is a rising star of Warriors of Light Records--but her fans would never guess that she is also the most important vampire hunter in a millennium. However, unfortunately for the inexperienced young huntress, the vampires and demons have both discovered her existence. An age-old war escalates to unprecedented heights of violence as the dark forces strive to slay Damali before she comes of age and gains her full powers.

Damali is an appealing heroine, the concept is intriguing, and the series is promising. However, the first novel is rocky. Damali is a vampire-killing martial artist, and Minion presents an epic struggle between good and evil, yet the novel neglects to include a climactic battle between Damali and the bad guys (or much of a climax at all; a sequel is obviously forthcoming). Another problem is that Damali's teacher withholds crucial information from not only the huntress, but also her guardians, who should have learned everything many years ago. In contrast, the characters frequently tell each other things they already know. Readers craving the twisted erotic charge of the Anita Blake novels or the Buffy-Spike relationship may be dissatisfied that sexual tension is less important to Minion; and readers seeking Hamiltonian melodrama may also be disappointed. --Cynthia Ward


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I didn't have high expectations--just wanted some mild entertainment. Yawn! This was so boring, too much yammering, nothing interesting happens. Just plain weak. And all that blah leads up to what? The next book, where perhaps something interesting happens and the yammering gets dialed down. Minion really is just one long, mind-numbingly dull prologue. I'm not wasting my money or time on the next in the series. There's much better out there.
reviewed by heavymetal on November 29, 2006 5:02 AM

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Despite some reservations, I picked up this book hoping to find something, if not wholly original, at least fun and exciting. The version I bought has a little blurb on the cover that basically amounts to "Minion: The director's cut". This is a pretty dumb idea to me, but it says that this new version has more action and excitement, so I thought, what the heck?

The book started out very strong. There's a big fight at the beginning, and while I couldn't exactly follow all the action because of the large cast, it was strong enough to keep my interest. After that though, it all goes downhill.

The biggest problem I had with this book was that it's all talking. This in itself isn't such a big deal, but it's all talking about the same thing over and over again. Namely: What price does one pay to be a vampire hunter? Great. Interesting topic for about thirty pages. But damn it, this book goes on and on and on about it.

Then, when we finally get to another action scene, it starts out strong again, but quickly, it becomes bogged down in dialogue as a supporting character talks about what is happening over the phone with the other characters. That's right. Action scene as a phone conversation. If it sounds clumsy, it is.

The quality of the writing was fine but Banks has no sense of pace, nor does she ever seem to realize when she's made her point. After hearing the fifth or sixth time that demons are different from vampires, it gets annoying.

Neither Damali or her supporting cast have any true personality, and the dynamic of a vampire hunter and her music band (who live in a secret base by the way) is kind of corny but acceptable. In the end though, this lacked even the entertainment value of an episode of Josie and the Pussycats.
reviewed by scanner on November 29, 2006 3:34 PM

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I can see now why our library doesn't carry this series, it is "god-awful". I sloughed my way through 150 pages of this before tossing it in the garbage. I was sorely tempted to send it back to the publisher with a note, "Did you actually read this before publishing it?"
The dialogue is erractic, the prose nonexistent, and the characters so thin and carboard it's hard to say they even have two dimensions.
I've read some of the other reviews and they hit the nail on the head: it's bad, bad, bad, bad.
If you rarely read, were born in the ghetto, and never finished elementary school, then this book is for you. Otherwise, don't look twice at the fancy artwork on the cover, it is the best thing about this farce posing as a novel.
reviewed by bigwinner on November 29, 2006 5:43 PM

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