Minion: A Vampire Huntress Legend 
Damali Richards is a rising star of Warriors of Light Records--but her fans would never guess that she is also the most important vampire hunter in a millennium. However, unfortunately for the inexperienced young huntress, the vampires and demons have both discovered her existence. An age-old war escalates to unprecedented heights of violence as the dark forces strive to slay Damali before she comes of age and gains her full powers.
Damali is an appealing heroine, the concept is intriguing, and the series is promising. However, the first novel is rocky. Damali is a vampire-killing martial artist, and Minion presents an epic struggle between good and evil, yet the novel neglects to include a climactic battle between Damali and the bad guys (or much of a climax at all; a sequel is obviously forthcoming). Another problem is that Damali's teacher withholds crucial information from not only the huntress, but also her guardians, who should have learned everything many years ago. In contrast, the characters frequently tell each other things they already know. Readers craving the twisted erotic charge of the Anita Blake novels or the Buffy-Spike relationship may be dissatisfied that sexual tension is less important to Minion; and readers seeking Hamiltonian melodrama may also be disappointed. --Cynthia Ward
Reviews
The book started out very strong. There's a big fight at the beginning, and while I couldn't exactly follow all the action because of the large cast, it was strong enough to keep my interest. After that though, it all goes downhill.
The biggest problem I had with this book was that it's all talking. This in itself isn't such a big deal, but it's all talking about the same thing over and over again. Namely: What price does one pay to be a vampire hunter? Great. Interesting topic for about thirty pages. But damn it, this book goes on and on and on about it.
Then, when we finally get to another action scene, it starts out strong again, but quickly, it becomes bogged down in dialogue as a supporting character talks about what is happening over the phone with the other characters. That's right. Action scene as a phone conversation. If it sounds clumsy, it is.
The quality of the writing was fine but Banks has no sense of pace, nor does she ever seem to realize when she's made her point. After hearing the fifth or sixth time that demons are different from vampires, it gets annoying.
Neither Damali or her supporting cast have any true personality, and the dynamic of a vampire hunter and her music band (who live in a secret base by the way) is kind of corny but acceptable. In the end though, this lacked even the entertainment value of an episode of Josie and the Pussycats.
The dialogue is erractic, the prose nonexistent, and the characters so thin and carboard it's hard to say they even have two dimensions.
I've read some of the other reviews and they hit the nail on the head: it's bad, bad, bad, bad.
If you rarely read, were born in the ghetto, and never finished elementary school, then this book is for you. Otherwise, don't look twice at the fancy artwork on the cover, it is the best thing about this farce posing as a novel.
