Manufactured Landscapes: The Photographs of Edward Burtynsky 
asked by stonefox on November 9, 2006 9:23 PM
Over the past twenty-five years, the internationally renowned Canadian photographer Edward Burtynsky has been an explorer of unfamiliar places where human activity has reshaped the surface of the land. His astonishing large-scale color photographs of the landscapes of mining, quarrying, railcutting, recycling, oil refining, and shipbreaking uncover a stark, almost sublime beauty in the residue of industrial "progress." The implicit social and environmental upheavals that underlie these images make them powerful emblems of our times. This handsome catalogue of the first major retrospective of Burtynsky's work features essays by Lori Pauli, Kenneth Baker, and Mark Haworth-Booth, as well as a wide-ranging interview with the artist by Michael Torosian. The book includes sixty-four color plates.
Reviews
the reproductions in the book were awful. i had seen his exhibition and purchased th e book because of it. the reproductions were not any where up to the originals. i am a photographer and the book is useless to me.
ronald meyerson
ronald meyerson
reviewed by work on November 10, 2006 9:36 AM
I viewed the original exhibition at the National Arts Gallery in Ottawa a few years back. The images are breathtaking, unnerving and awe inspiring.
reviewed by glassysurf on November 16, 2006 1:56 AM
The New York Times reviewed EB's recent exhibition and called his work "large, sumptuous and numbingly clichýd color pictures" and called his motives "high-minded". The reviewer went on to say "One of the problems with Mr. Burtynsky's photography is that he uses the same pumped-up pictorial rhetoric of shock and awe in almost every one of the more than 60 works on view. This produces a monotonous effect and, what's worse, a loss of representational credibility. By applying the same compositional formula to every subject, from California tire dumps to new buildings in China, Mr. Burtynsky hammers away at the idea of the global proliferation of industrial production, destruction and waste. But he leaves out a lot of information, too." -and went on to say "Mr. Burtynsky's photographic vision is closer to that of National Geographic magazine. Though technically impressive and, because of its scale, important-seeming, it offers nothing about photography or about the world that we have not already seen in the works of countless other proficient, globe-trotting photojournalists whose names have faded into the oblivion of artistic mediocrity." This observer concurs.
reviewed by onthemic on November 23, 2006 6:44 PM
