Logo Font & Lettering Bible: A Comprehensive Guide to the Design, Construction and Usage of Alphabets and Symbols this question feed

asked by jan1975 on November 8, 2006 3:53 AM
This book is a hands-on guide to the entire process of making logos and fonts and even icons, all of which, essentially, start with the ability to draw letterforms. The intent of the book, in fact, is to enable the user to end reliance on "OPF" (other people's fonts) and learn to draw your own custom logos, fonts and lettering! There are many books on the market that simply display collections of logos and fonts, and that give the history of logos and fonts. But Logo, Font & Lettering Bible is unique in that it teaches you how to create logos and fonts from scratch using traditional tools as well as the computer programs Adobe Illustrator and Fontographer (plus a bit about FontLab). The book provides all the traditional rules and tips about letter formation relating to proportion, shaping, balance, spacing, composition and actually teaches five different methods of drawing letters on computer using bezier curves. There has never been a book like this one that goes into so much detail about drawing letters and takes such a fun and irreverent approach while doing so. The book is also full of inspiration and analysis of tons of great examples of vintage and current lettering from old manuscripts to graffiti. Logo, Font & Lettering Bible also shows you how to create fancy drop shadows and other type effects. And finally, the last section provides straight talk on the business of being a logo and font designer, from advertising your work and pricing to dealing with difficult clients (aren't they all?).

This book has been almost unanimously acclaimed by professional letterers, logo designers and font creators, both young and old. It is currently in use as a text in many typography programs and several Design college educators have stated it is one of the few texts that "students are actually happy about having to purchase."


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I bought this book about a year ago, allowed my cousin to borrow it, and he didn't return it fast enough, so I bought a second copy! I love this book. Every time I pick it up I find someting I didn't see before. It's inspiration, educational and just, well...just wonderful. And the cover is stunning.
reviewed by vcedwards on November 22, 2006 3:37 AM

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I am a working student in graphic design for web and print as well as web site design. Because I need to work I dont have time to work through books cover to cover. It seems that I'm allways trying to extinguish the "fire of the day" and I refer to my books for fire fighting techniques. With more experience hopefully I'll have most of these techniques in my brain...

I love this book because it makes type interesting. The book is beautiful and it inspires me to create work on the same level. It also helps me understand how to create the work to which I aspire.

One reviewer wrote that the cover is "aweful". I disagree. I love the cover. I love the design of the stretched mesh, the embossing, the spot coating, the colors and how it all contrast while remaining one united piece of work. The texture, colors, techno(mesh), modern(logo), hard(dies), and soft (script text) elements are individually interesting and combine wonderfully.

Bob in NJ
reviewed by alexis on November 29, 2006 5:39 PM

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If you are a fine or graphic artist, a signmaker or architect-- even a historian, anthropologist or architect-- then you simply have to have this book. Stop looking for a book more complete in its study of the letterform and how it applies to our daily lives; it doesn't exist. Leslie Cabarga, the great California designer instrumental in resurrecting an appreciation for Art Deco since the 1970's, has outdone himself with this book.

From mankind's earliest handwritten symbols to today's graffiti and grunge sensibilities, Cabarga knows it all, and tells it all, here for you.

You don't have to be a "fonts guy" to love this book. Though I guarantee, you will slaver to be one by the time you finish this book.

And finish the book you will gratefully do, for never has a more beautiful book on fonts and letterforms been designed. Every single page is a gem lovingly conceived from Cabarga's sublimely gifted afflatus... The cover of the hardcover book alone took my breath away.

Typefaces, as you will learn, are an entire language-- a code-- of their own, regardless of what words they spell out. Cabarga helps you understand the sensibility of writing words as well as what literal sense they might make.

This book is filled with the kind of subtleties and counsels that only a master like Cabarga could impart; the little "secrets" and rules-of-thumb that more pedantic texts of yore would never convey.

Think you're hip? Leslie Cabarga is as hip as you are, if not more so, so if you want to make the coolest most bleeding-edge website, bookcover, CD cover or poster out there, the knowledge that you will glean betwixt these covers will arm you with the right skills. Yet this knowledge is grounded in the soundest historical framework of letter-making. That's Mr. Cabarga's unique gift to the world.

"Jaw-droppingly beautiful" and "useful" are not hyperbolic phrases in reference to this book. Your ultimate fontface, type and letterform teacher awaits you... Dare you seize the challenge, claim the gift?
reviewed by bricktop on November 29, 2006 6:41 PM

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I love this book. Informative, educational, thought-provoking, and very funny. The author's tone makes reading this book a lot of fun. Unless you already know the ins and outs of fonts, font-making, and the history of font design, you'll get something out of this book.
reviewed by steelers on November 29, 2006 7:07 PM

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