Lipstick Jungle: A Novel 
Lipstick Jungle weaves the stories of Nico O'Neilly, Wendy Healy, and Victory Ford, numbers 8, 12, and 17 on The New York Post's list of "New York's 50 Most Powerful Women." But this is 21st Century New York, and to get ahead and stay ahead, these women will do anything, including jeopardizing their personal and professional relationships. Take for example Nico, editor-in-chief of Bonfire magazine, who betrays her boss to rise to the top of the entire magazine division at media mega-giant Splatch-Verner. As president of Paradour Pictures, Wendy may be poised to win an Oscar for her 10-year labor-of-love, Ragged Pilgrims, but her marriage is in shambles and her children care more about a $50,000 pony than their mother. And for single, 43-year-old fashion designer Victory, pleasing tough critics may be more important than ever finding the real relationship she's convinced herself she doesn't need.
This racy tale of women behaving badly manages to shrewdly flip the tables to show us how gender roles are essentially interchangeable, given the right circumstances. Whether that was Bushnell's intent when crafting this wicked tale is another story. --Gisele Toueg
10 Second Interview: A Few Words with Candace Bushnell
Q: Were Victory, Wendy, and Nico inspired by any real-life women?
A: The characters and situations in Lipstick Jungle were inspired by the real-life women I know and admire in New York City. As with Sex and the City, I spent a lot of time thinking about where women were today, and what I noticed was that there was a fascinating group of women in their forties who were leading non-traditional lives. They were highly successful and motivated, they often had children, and usually were the providers for their families, and yet, they didn't fit the old stereotype of the witchy businesswoman. Indeed, so many of these women were the girls next door, the girls who reminded me of my best friends when I was a kid and we used to fantasize about the great things we were going to do in life. Like the women in Sex and the City, the Lipstick Jungle women are charting new lives for themselves, redefining what it means to be a woman when you really are as powerful, or more powerful, than a man.
Of course, you probably want specifics, so I will say that there was a moment when it all clicked. Tina Brown used to write a terrific column in the Washington Post, and one of the things she was always mentioning was how there was a group of powerful women who were meeting and lunching at Michael's restaurant. They'd been working for over twenty years, their children were now in their early teens and didn't need them every minute, and now, in their forties or early fifties, they had time to strive for new career goals and to spend more time with their girlfriends. I thought, "Aha--that's the Lipstick Jungle."
Q: What kind of research did you do to cover fashion, film, and publishing in one book?
A: To research fashion, film and publishing, I did what I always do--I talked to my girlfriends! Of course, it helps that I've worked in magazine publishing and have had my share of experience with Hollywood. I'm also lucky enough to have a couple of girlfriends who are top designers, who offered to help me out with the specific details. I still remember the afternoon when one of my girlfriends and I sat down to talk--she was over eight months pregnant, and I was worried that we were going to have to run to the hospital!
Amazon.com's Significant Seven
Candace Bushnell graciously agreed to answer the questions we like to ask every author: the Amazon.com Significant Seven.
Q: What book has had the most significant impact on your life?
A: So many books have affected my life it's hard to pick just one. When I was a teenager, I was obsessed with Kurt Vonnegut, and Evelyn Waugh; when I was in my early thirties, a girlfriend and I re-read House of Mirth, and freaked out--we didn't want to end up like Lily Bart. Most recently I read Angela's Ashes for the first time and was absolutely stunned.
Q: You are stranded on a desert island with only one book, one CD, and one DVD--what are they?
A: Make Way for Lucia, by E.F. Benson, a book that I always hope will never end; Van Morrison's greatest hits; and Pride and Prejudice, the six-part mini-series..
Q: What is the worst lie you've ever told?
A: "My e-mail isn't working." I'm not a good liar. It's one of my flaws. I'm too forthright and usually have to apologize the next day for telling the truth the night before.
Q: Describe the perfect writing environment.
A: All I need is a desk, a chair and my computer. Once I start writing, I don't notice my environment. In fact, I've had people try to talk to me when I'm writing and I literally can't hear them. I see their mouths moving but no sound comes out.
Q: If you could write your own epitaph, what would it say?
A: "I don't ever want to be asked about my own epitaph!"
Q: Who is the one person living or dead that you would like to have dinner with?
A: Tolstoy. I've read that he loved gossip. It would be great to have a good old gossip with him.
Q: If you could have one superpower, what would it be?
A: Flying, of course. Who wouldn't want to be unfettered by gravity?
Reviews
Quick question: you are interested in power, male-female relationships and female friendships in the Big Apple. Yet somehow, work gets screwed up, relationships go badly and you end up lamenting the sad state of affairs loudly and often in print to your female friends. Do you:
a) realize that "insanity is doing the same thing over and over again and expecting different results" and get therapy or find comfort in family or religion?
or
b) write a tedious, boring book about how hard successful women have it, in which the same few complaints are recycled over and over and over and over.......
this author is too cynical for me, and her penchant for irritating characters who repeat themselves endlessly is bothersome. I don't recommend this except to those not bothered by a quite cynical POV.
So goes LIPSTICK JUNGLE, the new novel by Candace Bushnell.
What is the status of a man in a universe universally dominated by women? Men are either ridiculously spineless, endearingly brainless, or flamboyantly insane. Some of them are sex-mannequins (Kirby Atwood); others are Icarian billionaires (Lyne Bennett and Victor Matrick)---falling or already fallen, paving the way for the baronesses who will usurp their place in the Lipstick Jungle. Some of them are oviphages ("egg-eaters") (Kirby); others have a distaste for les oeufs scrambled (Seymour). And then there are the vaguely East Asian or Eastern European parasites that populate the novel like so much vermin. Bushnell's racism / nationalism / class arrogance is evident on every other page.
Unlike SEX AND THE CITY's swinging femmes, the women of LIPSTICK JUNGLE do not have an enduring interest in sex. They are solely interested in power, wealth, and class. Their beauty is self-illuminated. Sex may be a pastime or a release, but it is not a goal. Nor is the family of much importance. Children are nondescript leeches and noise-makers. An infant's first word is "Money!" If you strip away identity, what remains is the naked desire for cash, the most fundamental of human impulses. Even prior to the assumption of an identity, the human animal desires the power to purchase...
Each huntress is defined not by the men who surround her, but by the products she owns or wants to own. Nico O'Neilly's most essential features are represented by a diamond. Victory Ford is defined by her "black American Express card"---since she, after all, is also a credit card.
Victory Ford, Wendy Healy, Nico O'Neilly---the three "protagonists" are three versions of a single self. We move from the description of one character to the next. When the narrative centers on one character, the others vanish, as if they were chimeras of her imagination.
LIPSTICK JUNGLE never critiques the culture; it repeats the values of the culture unreflectively. To say that, "Women ought to be ruling the world" is neither a revolutionary insight nor a challenge to the culture.
Seen from this perspective, the women of LIPSTICK JUNGELE are hardly women at all. This is not a feminism in which women come into their own as women. Its philosophy is a particular kind of gendered Darwinism. Women must adopt negative male traits in order to achieve sovereignty, must become men in woman costumes.
Joseph Suglia, Ph.D., the author of WATCH OUT
At times it gets sort of confusing who is who and the reader is left with the feeling that the author had three good ideas for three new books and somehow put them all in one. It is interesting however, to see Selden Rose, a character from "Trading Up", reappear in this novel, good to know that he has recovered from the failed marriage to Janey Wilcox.
All in all the relationship between the three main characters remains unclear throughout the entire book, they just seem to be acquainted with each other for no apparent reason, occasionally talk or lunch together and talk about their individual lives.