Lesbian Art in America: A Contemporary History 
asked by shakeonit on November 4, 2006 3:04 AM
It is no surprise to see a photograph by Catherine Opie on the front of this handsome and groundbreaking volume on lesbian art. Opie is now represented in most of the best public collections in America, and her inclusion, along with the current rise of Nicole Eisenman, suggests that the market for specifically lesbian imagery (as opposed to erotica, which has always had an audience) has finally widened to include the great art institutions that still set the canon for contemporary art. Although the text of Harmony Hammond's wonderfully rich book is a little too dense for casual consumption, the history she offers--especially of the middle decade represented here, the 1980s, with its porn wars and the emergence of both postmodernism and postfeminism alongside a remarkable boom in the art market--can be found nowhere else, and certainly not in so graceful a form, lavishly illustrated and perceptively annotated. --Regina Marler
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This book is impressive in the richness and quality of it's production. It introduced this reader to artists I hadn't known.
The subtitle is `A Contemporary History' and should be taken literally.
I was looking for more works from the 1970's hopefully featuring works I hadn't seen in other publications. Four artists from the 1970's are featured - Kate Millett, Louise Fishman, Joan Snyder and Fran Winant. Eleven artists are profiled from the 1980's and seven from the 1990's.
Book Description - The first history of lesbian art in the United States, this volume documents works since 1970 within the context of gay culture and political activism. Authoritative and engaging, this is a "from the trenches" story of which women made what, when, and where. Hammond moves from the mainstream art world to alternative venues, weaving a compelling narrative complete with critical and theoretical discourse. Profiles of 18 prominent lesbian artists, from Kate Millett and Joan Snyder to Deborah Kass and Catherine Opie, complete this groundbreaking contribution to contemporary art history.
reviewed by bricktop on November 26, 2006 10:57 PM