Latro in the Mist 
asked by mike on November 24, 2006 6:32 AM
This omnibus of two acclaimed novels is the story of Latro, a Roman mercenary who was fighting in Greece when he received a head injury that deprived him of his short-term memory but gave him in return the ability to see and converse with the supernatural creatures, the gods and goddesses, who invisibly inhabit the classical landscape. Latro forgets everything when he sleeps. Writing down his experiences every day and reading his journal anew each morning gives him a poignantly tenuous hold on himself, but his story's hold on readers is powerful indeed.
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This is what Latro writes on the outside of his scroll to remind himself to read over his writings every morning. He has to leave himself this note because he cannot form new memories. Sound familiar? Yes, this is very much the same general idea as the film Memento from 2000, but this novel (actually a compilation of two novels, Soldier of the Mist, 1986 and Soldier of Arete, 1989) was written well before then. According to Wikipedia another book in this series, Soldier of Sidon is due out this year (2006), although I felt that the second novel, Soldier of Arete, pretty neatly ended the story.
On to the specifics. On one hand I found it really interesting, well-written, historically engaging, and a real challenge to follow a lengthy novel when the narrator isn't much help. On the other hand, the format was at times frustrating and the whole "I forget everything" got a little tiresome, especially near the beginning when most chapters were consumed by notes from Latro to himself explaining that he can't remember anything. Gene Wolfe seems to enjoy the relationship that the narrator has with the audience, as I've found his narrators are generally unusual in some way. In the New Sun books his narrator couldn't forget a single detail that he had lived through; in the Latro books the narrator can barely remember what happened a handful of hours ago, losing the rest to time, what he describes as the mist. In many ways I found myself enjoying the task of piecing together Latro's experiences into a meaningful narrative, flipping back in the novel over and over again to see if I really remembered hearing that name or that place.
This brings me to the one thing that I think really helped the Latro books be successful, which is true of Memento as well, and that is that the medium of the work inherently causes the reader to suffer the same ailment and fate as the protagonist. Wofle's writing keeps you slightly in the dark, and his method of opening each chapter with what has most recently happened, not what you just finished reading about, before moving back in time and catching up with this new present keeps you on your toes. This is why I like reading post-modern novels and novels that share many characteristics with a post-modern novel, such as this one: the effort that the reader must give to the reading and the ability and responsibility to help create the art.
Lastly, it was interesting to read what could be very loosely constructed as an historical novel. Set in ancient Greece, Wolfe does a fairly good job of helping the reader through difficult geography and cultures without giving away the game too much. He gives us many details which are likely true (I'll admit that I'm nothing close to a Grecian scholar, but what I read of Wolfe is that he likes to bleed history into his fiction) and many rough sketches of life in Greece around the turn of the calendars from BCE to CE. These details never seem to intrude on the story, only to enhance or flush out a given moment.
Overall, I would recommend this novel to others, but keep in mind that it is not a passive read. However, I found it to be pretty rewarding. Yay for Latro.
On to the specifics. On one hand I found it really interesting, well-written, historically engaging, and a real challenge to follow a lengthy novel when the narrator isn't much help. On the other hand, the format was at times frustrating and the whole "I forget everything" got a little tiresome, especially near the beginning when most chapters were consumed by notes from Latro to himself explaining that he can't remember anything. Gene Wolfe seems to enjoy the relationship that the narrator has with the audience, as I've found his narrators are generally unusual in some way. In the New Sun books his narrator couldn't forget a single detail that he had lived through; in the Latro books the narrator can barely remember what happened a handful of hours ago, losing the rest to time, what he describes as the mist. In many ways I found myself enjoying the task of piecing together Latro's experiences into a meaningful narrative, flipping back in the novel over and over again to see if I really remembered hearing that name or that place.
This brings me to the one thing that I think really helped the Latro books be successful, which is true of Memento as well, and that is that the medium of the work inherently causes the reader to suffer the same ailment and fate as the protagonist. Wofle's writing keeps you slightly in the dark, and his method of opening each chapter with what has most recently happened, not what you just finished reading about, before moving back in time and catching up with this new present keeps you on your toes. This is why I like reading post-modern novels and novels that share many characteristics with a post-modern novel, such as this one: the effort that the reader must give to the reading and the ability and responsibility to help create the art.
Lastly, it was interesting to read what could be very loosely constructed as an historical novel. Set in ancient Greece, Wolfe does a fairly good job of helping the reader through difficult geography and cultures without giving away the game too much. He gives us many details which are likely true (I'll admit that I'm nothing close to a Grecian scholar, but what I read of Wolfe is that he likes to bleed history into his fiction) and many rough sketches of life in Greece around the turn of the calendars from BCE to CE. These details never seem to intrude on the story, only to enhance or flush out a given moment.
Overall, I would recommend this novel to others, but keep in mind that it is not a passive read. However, I found it to be pretty rewarding. Yay for Latro.
reviewed by scoobie on November 25, 2006 2:24 PM
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`Latro In The Mist' brings together two novels by Gene Wolfe that brilliantly meld history and fantasy with a twist unique to literature. It's good to see these back in print in a form that will let you pick up both for a reasonable price.
With `Soldier of the Mist' Wolfe tells a story that would stop any other author in their tracks. `Soldier of the Mist' is the diary of Latro, a soldier of ancient Rome (maybe) who suffered a head wound on the battlefield. Every day when Latro awakens, he has a new case of amnesia. Not only does he not know who he is, but whatever he learns lasts only one day. He has found travelling companions in his search for his identity, and every morning they have him read his diary to learn who he is. Every night he makes new entries, hoping they will be useful in the coming day. The next morning he will face the world as new, knowing only what he's written and what he sees in front of him. Latro wanders ancient Greece dealing with war, politics, gods and goddesses. His lack of knowledge and prejudices let him (and you) see the world of the ancients in an entirely new light.
Latro's journey continues in `Soldier of Arete.' While not as compelling as `Mist', Latros walking tour of ancient Greece remains a fascinating view into the ancient world. Unfortunately it does not advance his story as much as one might like, and some of the promise of the end of `Soldier' is not redeemed. A third (and concluding?) volume was rumored for years; I wait anxiously to see if the recently announced `Soldier of Sidon' will bring Latro to a well-deserved recovery. But whether it does or not, the next step in his journey will be well-informed, well-told, and well worth reading.
With `Soldier of the Mist' Wolfe tells a story that would stop any other author in their tracks. `Soldier of the Mist' is the diary of Latro, a soldier of ancient Rome (maybe) who suffered a head wound on the battlefield. Every day when Latro awakens, he has a new case of amnesia. Not only does he not know who he is, but whatever he learns lasts only one day. He has found travelling companions in his search for his identity, and every morning they have him read his diary to learn who he is. Every night he makes new entries, hoping they will be useful in the coming day. The next morning he will face the world as new, knowing only what he's written and what he sees in front of him. Latro wanders ancient Greece dealing with war, politics, gods and goddesses. His lack of knowledge and prejudices let him (and you) see the world of the ancients in an entirely new light.
Latro's journey continues in `Soldier of Arete.' While not as compelling as `Mist', Latros walking tour of ancient Greece remains a fascinating view into the ancient world. Unfortunately it does not advance his story as much as one might like, and some of the promise of the end of `Soldier' is not redeemed. A third (and concluding?) volume was rumored for years; I wait anxiously to see if the recently announced `Soldier of Sidon' will bring Latro to a well-deserved recovery. But whether it does or not, the next step in his journey will be well-informed, well-told, and well worth reading.
reviewed by nexus on November 27, 2006 5:24 AM