Barefoot Gen Volume One: A Cartoon Story of Hiroshima 
asked by formula on November 15, 2006 3:56 PM
This harrowing story of Hiroshima was one of the original Japanese manga series. New and unabridged, this is an all-new translation of the author's first-person experiences of Hiroshima and its aftermath, is a reminder of the suffering war brings to innocent people. Its emotions and experiences speak to children and adults everywhere. Volume one of this ten-part series details the events leading up to and immediately following the atomic bombing of Hiroshima.
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The manga form of presentation makes reading about the prelude to this event easy and fast. The book seemed to be reasonably accurate with historical documentation and the visual format allowed the author to include detail that might otherwise have become difficult to work into the story. The clothing, clogs, air raid hoods, etc. that are be depicted add depth of information to a quick read.
reviewed by noreason on November 18, 2006 4:10 PM
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Keiji Nakazawa, Barefoot Gen (New Society Publishing, 1983)
Keiji Nakazawa's four-volume graphic epic Barefoot Gen has become legendary in the field of graphic literature, and also, in no small way, out of it. While many Japanese artists working in every medium have examined the dropping of the atomic bombs on Hiroshima and Nagasaki and their aftereffects, Nakazawa, who lived in Hiroshima at the time the bombs were dropped, has an understandably closer perspective than most others who have tried it. For sheer power, Barefoot Gen's only rival in the subgenre is the similarly legendary Grave of the Fireflies.
This eponymous first volume takes us through the life of Gen, an elementary school student, and his family in the months before the dropping of the bomb on Hiroshima. Gen's father, while not a pacifist, is notorious in town for his speaking out against the war, which gets him and his family branded traitors. Because of this, they don't have an easy life. The family members try to find various ways to survive in the face of shunning at best, and aggression at worst, from the rest of the townspeople.
Do you need to be told that this is a book that's going to hit you in the face like a sledgehammer with its message? The artistry, or lack of same, in the delivery is the place where Grave of the Fireflies is clearly superior to Barefoot Gen, but while Nakazawa is not above letting his message get in the way of his story on occasion, it never happens for too long a period of time. Nakazawa's characters are well-drawn, and the story spends more time focused on its characters than on its message. There is a lot to be liked here, and a good deal to be mulled over, as well. Well worth your time. ****
Keiji Nakazawa's four-volume graphic epic Barefoot Gen has become legendary in the field of graphic literature, and also, in no small way, out of it. While many Japanese artists working in every medium have examined the dropping of the atomic bombs on Hiroshima and Nagasaki and their aftereffects, Nakazawa, who lived in Hiroshima at the time the bombs were dropped, has an understandably closer perspective than most others who have tried it. For sheer power, Barefoot Gen's only rival in the subgenre is the similarly legendary Grave of the Fireflies.
This eponymous first volume takes us through the life of Gen, an elementary school student, and his family in the months before the dropping of the bomb on Hiroshima. Gen's father, while not a pacifist, is notorious in town for his speaking out against the war, which gets him and his family branded traitors. Because of this, they don't have an easy life. The family members try to find various ways to survive in the face of shunning at best, and aggression at worst, from the rest of the townspeople.
Do you need to be told that this is a book that's going to hit you in the face like a sledgehammer with its message? The artistry, or lack of same, in the delivery is the place where Grave of the Fireflies is clearly superior to Barefoot Gen, but while Nakazawa is not above letting his message get in the way of his story on occasion, it never happens for too long a period of time. Nakazawa's characters are well-drawn, and the story spends more time focused on its characters than on its message. There is a lot to be liked here, and a good deal to be mulled over, as well. Well worth your time. ****
reviewed by macfan on November 21, 2006 11:21 AM