1634: The Ram Rebellion (Assiti Shards) 
The Thirty Years War continues to ravage 17th century Europe, but a new force is gathering power and influence: the Confederated Principalities of Europe, an alliance between Gustavus Adolphus, King of Sweden, and the West Virginians from the 20th century led by Mike Stearns who were hurled centuries into the past by a mysterious cosmic accident. Inspired by the example of American freedom and justice, a movement in Franconia among the peasants, who have revolted several times even before the arrival from the future of the town of Grantville, an independent revolutionary movement has arisen, flying the banner of the head of a ram. The West Virginians fully approve of liberating the peasants from the nobility, but they are also aware of how revolutionary movements can lead to bloodbaths. And avoiding that deadly possibility will require all of their future knowledge and all their plain old American horse-trading diplomacy. . . .
Reviews
Something incredible has happened. The authors have taken a decidedly dull subject, land and electoral reform in Central Europe, and have made it readable and interesting. That would be worth some kudos all by itself.
Any reader would do well to first read 1632 and get the background. Once that highly convoluted framework is in place, this work should be accessible by anyone who wants to read it. It is worth the reading.
This collection of stories seems at first to be related only by virtue of taking place in the same framework. It is not until the end that the various threads of the stories seem to come together in a unified whole and that whole is well done.
The problem, in the stories, is imposing a modern electoral system and system of land ownership upon the patchwork of Germany in the midst of the 30 Years War. It is a complex problem. What is even more difficult is promoting the revolution without unleashing a bloodbath.
I suspect that solving this problem by writing a book about it would be exceedingly difficult and probably uninteresting. Instead, a series of short stories were written. Each builds upon the previous ones and the problem works itself out. It still has a share of mayhem needed for any decent revolution but it is controlled.
Well Done.
This "novel" gradually comes into focus through a series of short stories and jokes revolving around an ugly short-haired ram who has designs on modern long-haired ewes, against the modern breeder's wishes. Only after numerous stories illustrating the pre-existing political and economic situation in Franconia, does the main story of how Franconia will be democratized really get under way. I have no objection to this device, the "gathering storm" technique, since I prefer the short stories to the the concluding novel written by Flint and Judith DeMarce. Its sprawling episodic structure detracts from its suspense, drama, and climax.
While some may object to the combinations of short stories, broadsheets, sophomoric humor, novela, and novel here, I don't. Can you imagine what having to slog through a pedestrian novel like Flint and DeMarce's concluding section would be like, if it expanded to 400 pages to include the matters touched on in the shorter, prefactory pieces? Tired feet! I had a frustrating time tracking characters variously identified by their first or last name or title, and it took me a while to put "three" characters into, oh!, just one. Still and all, this "novel" is marking time as we await the return to a "real" novel that will use the principal series characters (hardly seen here) to advance the main story. Consider this one a parallel story of "1634" that documents one of the alternative ways of coping with the fractious European neighbors confronted by the "alien" Americans. (That also means there are some unexplained cross-references to other stories, even ones that haven't been written yet.) The other "1634:xx" books will surely have other structures, places, people, procedures, and prospects. Hopefully, a few will be less insistently upbeat and have some flashes of adult ambiguity, grimness, and desperate moments in them. It should be fun.
